You may have felt her presence recently when she unveiled her hauntingly beautiful release “Midnight Silence” on Plazma Music or an equally stirring mix on Plazmatic Sessions. Now, we invite you to venture even deeper into the creative universe of 95 Fahrenheit, an inspiring artist expanding the horizons of deep and hypnotic techno. Introducing Alba Arribas, the distinctive creator from Madrid, Spain, weaving intricate sound stories that echo her inner reflections.

Alba’s musical quest began early with the piano and guitar, leading her to the world of techno production. As 95 Fahrenheit, she approaches her craft with meticulous care, investing her energy in perfecting each track while staying authentic in a fast-paced, trend-driven industry.

Yet, like many artists, Alba’s path hasn’t been without challenges. In moments of restlessness, she finds inspiration for her music. Yet, rather than being a setback, these nights inspire her music. She transforms her struggles into deep, evocative, nostalgic atmospheres, offering listeners a space to reflect, explore, feel, and think deeply.

Feeling intrigued? Lucky you! We have an exclusive interview with 95 Fahrenheit, where we unravel her challenges, creative process, influences, and aspirations. Wait no more. Wait no more—jump in and discover the beauty of her artistry and gain a deeper understanding of her path.

Firstly, what is your full name, age, and where are you from?

My name is Alba Arribas Carmona. I am 34 years old, and I am from Madrid, Spain.

What initially sparked your interest in music?

For as long as I can remember, I have been involved in music in some way. I started playing the piano when I was 8 years old, so I think that was when I really became interested in music.

How did your journey from playing piano and guitar lead you to become a techno music producer?

When I started my university studies, I moved away from music and stopped playing the piano, something I regret enormously.

After finishing my architecture degree, I realized I had a big void inside me. I started playing the guitar again but soon noticed that I was capable of creating something much bigger, which helped me express everything I was feeling. That’s when I began producing music.

At first, I experimented with synthesizers and created simple melodies, then I gradually evolved and found my own sound and path within techno.

Is music your sole occupation, or do you engage in another profession or career alongside it? Furthermore, how do you prefer to unwind and enjoy your free time outside of work commitments?

No, music is not my sole occupation. I’m in the process of making that possible, but currently, I also work in architecture. As for my free time, I enjoy spending it on things related to music, like going to concerts or playing an instrument. I also enjoy activities that inspire me for future tracks, such as reading or traveling.

Could you share the story behind the name “95 Fahrenheit” and how it reflects your musical journey and style?

“95 Fahrenheit” is the temperature at which the human body stops functioning normally. I believe we live in a sick society, and I wanted my name to reflect that pessimism I feel about us as a civilization. Ultimately, I create music not only for others but also as an exercise in introspection, to express what I carry inside and convey how I confront the social system we have created.

As a woman in the often male-dominated world of music production, have you encountered any distinctive challenges or experiences? How do you manage these hurdles while remaining authentic to your artistic vision?

The truth is that in this sector, we are often valued more for our physical appearance than for our actual talent. However, in my experience, I have encountered wonderful people who have been able to see beyond the facade, so I haven’t felt the undervaluation that I believe we are subjected to in this industry.

What is the most significant sacrifice you’ve had to make or continue to make in pursuing your passion for music?

For me, music has not involved any sacrifices; on the contrary, I am very grateful to have discovered my vocation and to be able to balance it with other obligations and tasks. Every minute I spend producing is a privilege for me.

How has your personal journey and experiences influenced your music, and how do you express your individuality through your sound?

I often say I wish I had started producing earlier, but the truth is that if I had, the story I tell through my music would likely be completely different. In the end, my music is shaped by the experiences I’ve lived through.

I think that because of the discontent and emptiness I’ve felt with the world, I’ve developed a sound full of dark atmospheres and nostalgic melodies that invite reflection or disconnection.

Walk us through your typical creative process when producing a new track. How do you start, and how do you know when a piece of music is complete?

Sometimes I have a melody in mind, but most of the time I start with nothing specific. I just sit in the studio, choose a pad that I like, and begin creating atmospheres. I really enjoy focusing on sound design, so I spend a lot of time selecting effects to create something unique.

As for knowing when a track is complete, I’m still figuring that out. I’m never entirely sure when to stop changing or adding things, so finishing a track is always a real challenge for me.

What are some of the key messages or themes you aim to convey through your music?

What I usually try to express through my music are the emotions I’m feeling at a particular moment. Sometimes, I create a track as a way to heal what I’m going through internally. In general, I have recurring inspirations, like social relationships and the idea of how insignificant we are in relation to the universe.

The cosmos and the human mind are often a sources of inspiration for you. How do you translate these abstract concepts into tangible auditory experiences?

Music is a very subjective experience, and it’s challenging to create a single, tangible experience for everyone. What I try to do is convey the feelings that these concepts evoke in me through sound. I work a lot with atmospheres and effects to create an immersive experience.

My goal is for listeners to lose themselves in my tracks, just as we sometimes feel lost in the world or within ourselves.

If your music were a visual art piece, what would it look like, and what emotions would it evoke?

I really like the art of Alfred Kubin. I think his dark conception of the world reflects a lot of what I feel when I stop to observe it. However, I imagine my music being represented more by an abstract style rather than Kubin’s symbolism. I would still want it to evoke similar emotions—ideas of terror and surrealism.

Your debut album at Plazma, Midnight Silence, is set to be released soon. What was the inspiration behind it?

I often struggle with sleep, and while I was producing the tracks for Midnight Silence, I was going through a period when these sleep disorders became more intense. When you’re awake in the middle of the night, unable to sleep, the silence and shadows are your only companions. I wanted to convey that feeling by creating an immersive soundscape that mirrors the quiet yet turbulent hours of the night.

  1. 01 Hypnagogia (Original Mix) 95 Fahrenheit
  2. 02 Red Moon (Original Mix) 95 Fahrenheit
  3. 03 Hypnagogia (Hamandra Remix) 95 Fahrenheit
  4. 04 Red Moon (Matteo Martinelli) 95 Fahrenheit
Play Track Previews

What are your go-to music production tools and instruments?

The program I use to produce is Logic. I started with GarageBand, so transitioning to Logic was a natural step for me. As for instruments, one of my favorite synthesizers is the ANA2. It’s highly configurable and offers a wide variety of sounds.

Who are some of your biggest artistic influences, both within and outside the music industry? How have they shaped your approach to creating music?

Within the world of music, my greatest inspiration is Vatican Shadow. I find him to be an exceptional producer with a dark style similar to mine.

Outside the industry, Stephen King is a constant source of inspiration. I’ve been reading his books since I was young and have always admired his way of generating stories and crafting complex characters. Even though he’s a horror novelist, I think his books are deeply psychological.

Visually, I’m really inspired by filmmaker Mike Flanagan. In his series or movies, he often creates a beautiful, bucolic atmosphere. I would love to compose a soundtrack for one of his works, which I find truly inspiring.

Whether it’s remixes or original collaborations, how do you approach working with other artists? What do you value most in a collaborative process?

I love working with other artists! I think collaborating with other producers is when I learn and evolve the most. Every creative process is unique, and being able to exchange ideas with another producer is something I really value.

I usually prefer to collaborate with people whose style is quite different from mine because I believe that mixing contrasting styles often leads to truly unique results. However, I always try to ensure that the collaborators share the dark essence that I like to convey in my tracks. Without that common ground, it’s difficult for me to complete a collaboration.

Are there any artists or producers you dream of collaborating with in the future, and if so, what do you hope to achieve through these collaborations?

I would love to collaborate with many artists, but right now, the one I’m most interested in collaborating with is Svarog. I’m a big fan of his hypnotic techno sessions and his productions with occult touches. I would love to see his creative process. As for what I’d like to achieve, I’d prefer to approach the collaboration without expectations—just enjoying the process and the experience.

  1. 01 95 Fahrenheit Plazmatic Sessions #607
Play Mix

Can you tell us about your DJ debut? Where did it happen and how did it unfold?

My debut as a DJ was at a party with friends. I’ve always enjoyed playing my music at gatherings, so when I started DJing, I decided to do my first set with them. I think it was the best way to start because, even if you’re nervous, you’re surrounded by familiar faces. If you make a mistake, you don’t panic as much because you feel their support.

How do you usually prepare before a gig? How much space do you leave for improvisation in your sets?

I don’t leave much room for improvisation! I’m quite a perfectionist, so I prepare all my sets from start to finish. Depending on the time or venue, I choose a specific mood. I only change the direction of the track selection if I see something isn’t working on the dance floor, but I still have a general idea in mind.

What is your standard or most preferred technical setup for the performance?

I prefer using Pioneer CDJs over any other setup. In my studio, I have the Pioneer XDJ RX3, so I’m very accustomed to a mixer with a Pioneer configuration.

In your opinion, what are some key elements that make a DJ set memorable and leave a lasting impact on the audience?

I believe that the most impactful DJ sets are those that develop a concept and gradually increase in intensity throughout their progression. In other words, creating an atmosphere that is sustained and builds up over time makes for the best sets.

The techno industry has experienced significant growth and changes over the years. From your perspective, how has the industry evolved, and what are some positive or negative aspects you’ve observed throughout your journey as an artist?

On the positive side, I would say the technological developments have made it possible to achieve the same sound quality from home as you would in a professional music studio. This has made music production accessible to anyone with enough creativity.

On the negative side, I find that the market can be quite insular. This industry is very closed off, and it’s not easy to break in if you don’t have connections, especially if your type of techno deviates a bit from the norm. If you don’t produce danceable tracks, you’re often overlooked by record labels. Techno isn’t just made for dancing; it’s also made for thinking, and I believe that those who create this style of techno face more challenges.

How do you nurture your creativity and maintain a sense of authenticity in a world filled with trends and commercial pressures?

I have a fairly defined taste and have never let myself be swayed by fashions or trends. I nurture my creativity every day by surrounding myself with things I like or that evoke feelings within me. Everything can be inspirational, depending on the perspective from which it is viewed.

Starting out as a new producer can be daunting. What advice would you give to other aspiring female artists who are just beginning their journey in music production?

Enjoy the journey and don’t set strict time limits on your goals. Don’t feel like you don’t fit into a male-dominated sector. Things come when they come, and you need to be patient. With talent and effort, you’ll achieve your goals little by little, but you mustn’t get discouraged or give up. This is a marathon, not a sprint.

What are your goals and aspirations as an artist? Where do you see yourself and your music heading in the future?

I hope to be able to live exclusively off music in the near future, continuing to produce what I love while staying true to my essence. Although we, as artists, are constantly evolving, I think it’s important to maintain a solid foundation in our creations. Above all, I hope to continue enjoying the process.

Are there any upcoming projects or collaborations that you’re excited about and would like to share with your fans and the audience?

Apart from my release with Plazma, I am very excited about an upcoming collaboration with Social Assassins, two talented producers from Maresme (BCN). We developed a very special track together, which is a balanced blend of both our styles. It will be released this fall.